The great river flows eastward, waves washing away, all the illustrious figures of a thousand years
大江东去,浪淘尽,千古风流人物
Background
This opening line from Su Shi's 'Nian Nu Jiao: Memories of the Red Cliffs' expresses the poet's emotions while facing the mighty Yangtze River. Su Shi had been exiled to Huangzhou for two years following the 'Wutai Poetry Case' at the age of 45, during his prime but frustrated politically. The ancient battlefield of Red Cliffs lay just outside Huangzhou city, and the poet stood at the intersection of history and reality, contemplating the rise and fall of heroes past and present.
Interpretation
This line uses the vast Yangtze River as a metaphor to express the profound philosophy of time's passage and history's ruthlessness. 'Great river' symbolizes the river of history, 'flows eastward' suggests the irreversibility of time, 'waves washing away' represents history's filtering process, and 'illustrious figures of a thousand years' refers to all heroes throughout history. Through natural imagery, the poet expresses deep recognition of historical laws: no matter how outstanding, all figures are eventually submerged by the river of time, reflecting Su Shi's profound understanding of life's impermanence and the vanity of fame.
Historical & Cultural Background
Historical Context
Written in 1082 during Emperor Shenzong's reign, this poem emerged during the mid-Northern Song period. Su Shi, having opposed Wang Anshi's reforms, was framed by political enemies in the 'Wutai Poetry Case' and exiled to Huangzhou as a nominal military official. The Huangzhou period marked both the nadir of Su's life and the peak of his literary creation. The Battle of Red Cliffs occurred in 208 CE during the Eastern Han dynasty, a famous victory of the few over the many, where heroes like Zhou Yu and Zhuge Liang left eternal legacies. Standing at the same historical site, Su Shi contemplated the shared fate of heroes across time.
Cultural Significance
This line epitomizes traditional Chinese historical consciousness and concepts of time. It integrates Daoist natural philosophy, Confucian historical perspectives, and Buddhist impermanence to create a uniquely Chinese historical sensibility. The 'great river flowing eastward' became a classic metaphor for temporal passage in Chinese culture, influencing countless later writers. It embodies the typical mindset of Chinese intellectuals facing historical change: simultaneously aspiring toward heroic achievements while transcending the vanity of fame, achieving the aesthetic state of 'lament without injury.'
Multi-Dimensional Analysis
Philosophical Analysis
Philosophical Analysis
Philosophically, this line manifests three temporal dimensions: the irreversibility of physical time (flows eastward), the filtering process of historical time (washing away), and the eternity of psychological time (thousand years). Su Shi concretizes abstract temporal concepts through water metaphor, embodying the Chinese philosophical view of time as 'passing like this.' The concept of 'illustrious figures' transcends individual fame to point toward the eternal value of human spirit. This historical consciousness is neither nihilistic pessimism nor optimistic eternalism, but rather a 'philosophical acceptance'—recognizing the dialectical relationship between individual life's finitude and human civilization's infinite continuity.
Modern Application
Modern Application
In modern society, this line has acquired new contemporary significance. Facing rapid technological development, people better understand the ruthlessness of being 'washed away'—yesterday's tech stars may be obsolete today. In business management, it reminds leaders to maintain historical perspective, recognizing all success as temporary. For individual development, it teaches both striving to become 'illustrious figures' while maintaining equanimity about being 'washed away.' In global competition, it suggests transcending short-term gains and losses to focus on eternal human values.
Origin Story
According to Su Shi's collected works, on the 16th day of the 7th month in 1082, Su Shi visited Red Cliffs with friends. Under bright moonlight with the river surface like a mirror, Su composed this poem after drinking wine, completing it in one inspired moment. Legend says that when writing 'waves washing away, all the illustrious figures of a thousand years,' Su threw down his brush and sighed: 'Both Zhou Yu and I are men washed away by the river waves!' When friends asked about this line's meaning, Su pointed to the river and said: 'This water comes from Mount Min, having witnessed the Three Kingdoms, Six Dynasties, Sui and Tang, washing away how many heroes! Today's sorrows are hardly worth mentioning!' Though this dialogue may be apocryphal, it vividly captures the poet's historical sensibility.
Historical Impact
This line pioneered a new realm in Chinese literature's 'nostalgia for the past' theme, with far-reaching influence. Famous later lines like Xin Qiji's 'Green mountains cannot block it, after all it flows eastward,' Li Qingzhao's 'Things remain but people change, all affairs end,' and Yang Shen's 'The mighty Yangtze flows eastward' all show its influence. During the Ming-Qing transition, this line was often used to express feelings about dynastic change. In modern times, thinkers like Liang Qichao and Lu Xun quoted it to illustrate historical development patterns. In contemporary education, it has become required material in middle school textbooks, shaping historical perspectives across generations of Chinese.
Practical Guidance
In practical life, this line offers guidance: 1. In career development, maintain awareness that 'the waves behind drive those ahead,' requiring continuous learning to avoid obsolescence; 2. When successful, remain humble recognizing any achievement as but a moment in history's river; 3. When facing failure, maintain the philosophical acceptance that 'how many matters ancient and modern, all become subjects for laughter,' trusting time will dilute everything; 4. When making decisions, employ historical perspective considering long-term impacts; 5. In interpersonal relations, understand each person's historical limitations, learning tolerance and transcendence.
Quote Information
Author
Su ShiSource
Nian Nu Jiao: Memories of the Red Cliffs
Category
Life PhilosophyDate Added
8/25/2025
About the Author
Su Shi
Northern Song
Northern Song Dynasty writer, calligrapher, and painter
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Other wise quotes from the same author
Viewed horizontally, it's a ridge; viewed from the side, a peak—far and near, high and low, each presents a different aspect.
横看成岭侧成峰,远近高低各不同。
Source: Inscribed on the Wall of West Forest Temple
Beyond the bamboo, three or two peach blossoms appear; the ducks are first to know the spring river's warmth.
竹外桃花三两枝,春江水暖鸭先知。
Source: Spring River Evening Scenes by Hui Chong
We fail to see the true face of Mount Lu, simply because we are within the mountain itself.
不识庐山真面目,只缘身在此山中。
Source: Written on the Wall of Xilin Temple
Life is like a dream, I pour a libation to the river moon.
人生如梦,一尊还酹江月。
Source: Nian Nu Jiao - Reminiscence of the Red Cliff